Hootie & The Blowfish are undeniably an essential part of the 90s musical landscape. Stretching across rock, pop, and adult ...
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LouderSound on MSNMorrissey and Johnny Marr on how The Smiths made Meat Is MurderThe indie trailblazers’ second album turns 40 this month and sealed their status as one of the best British guitar groups ...
Angus Batey remembers how 40 years ago the classic Smiths second album helped change the direction of his life ...
Franz Ferdinand just put out their new album The Human Fear ... as the Scottish band brought out ex-Smiths guitarist Johnny Marr for a rendition of a song he helped make famous, “Bigmouth ...
CREDIT: Pete Cronin/Redferns/Getty Images John Porter, the producer of The Smiths‘ debut self-titled album, has revealed ... back and did a couple of other singles with them, but then they ...
Realistically, it was inevitable New York City's Ramones would eventually work with famed producer Phil Spector. After all, ...
Gibson unveils ‘84 Les Paul Standard w/ Bigsby, signed by Johnny Marr to support teen cancer charity
Limited to just 20 units worldwide, this Bigsby-equipped model, inspired by his famous red LP, will be available from the ...
Johnny Marr joined Franz Ferdinand in Manchester last night for a trio of songs including The Smiths ... t think there’s a single song that you’ll hear on the album and won’t think ...
Glasnost for the shy or warning of nuclear winter? The tropically breezy Ask presented a shocking repudiation of Morrissey’s bookish lifestyle. 48. Cemetry Gates (from The Queen Is Dead, 1986) A joke ...
Ask (Single, 1986) Glasnost for the shy or warning of nuclear ... The last song on what would prove to be the last Smiths album. Morrissey wouldn’t have to share his song-writing partner for much ...
“It’s Never Over, Jeff Buckley” doesn’t reinvent the documentary genre, but it does offer a unique perspective on the varying music of the 1990s, an experimental time where lonely artists like Buckley ...
The band’s mercurial frontwoman Harriet Wheeler, her auburn hair piled atop her head, lilted through a run of pretty earworms that sounded like The Smiths ... a single out, we were on the cover ...
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